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sculpture artwork by Tanya Vogelzang called "Bonsai III"
Bonsai – Aftermath (Tiles 3×3)
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sculpture artwork by Tanya Vogelzang called "Bonsai III"
Bonsai – Aftermath (Tiles 3×3)
previous arrowprevious arrow
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Bonsai – Aftermath (Tiles 3×3)
Bonsai – Aftermath (Tiles 3×3)
Bonsai – Aftermath (Tiles 3×3)
tile, Bonsai – Aftermath (Tiles 3×3)
detail, Bonsai – Aftermath (Tiles 3×3)
detail, Bonsai – Aftermath (Tiles 3×3)
Bonsai – Aftermath (Tiles 3×3)
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Slide

Aftermath (Tiles 3×3)

Emptiness appears as the sculptural remnant of a structure that no longer exists.

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The work consists of a grid in which the original elements of nine tiles are absent. What remains is a network of lively structures that define this void from the outside. The memory of the vanished mass remains present in space; the contours bear the traces of a former boundary.

The ordering of the grid is palpable in an organic growth that never fully submits to it. The underlying essence holds its ground, becoming visible precisely through the disappearance of matter.

It shows the tangible presence of an absence.

Slide

Aftermath (Tiles 3×3)

Emptiness appears as the sculptural remnant of a structure that no longer exists.

-

The work consists of a grid in which the original elements of nine tiles are absent. What remains is a network of lively structures that define this void from the outside. The memory of the vanished mass remains present in space; the contours bear the traces of a former boundary.

The ordering of the grid is palpable in an organic growth that never fully submits to it. The underlying essence holds its ground, becoming visible precisely through the disappearance of matter.

It shows the tangible presence of an absence.