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An artwork exhibit by Tanya Vogelzang called "Reconstruction IV"
artwork by Tanya Vogelzang called "Reconstruction IV"
artwork by Tanya Vogelzang called "Reconstruction IV"
artwork by Tanya Vogelzang called "Reconstruction IV"
artwork by Tanya Vogelzang called "Reconstruction IV"
artwork by Tanya Vogelzang called "Reconstruction IV"
Reconstruction IV
Reconstruction IV
RECONSTRUCTION IV
RECONSTRUCTION IV
RECONSTRUCTION IV
RECONSTRUCTION IV
RECONSTRUCTION IV
Reconstruction IV

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An artwork exhibit by Tanya Vogelzang called "Reconstruction IV"
artwork by Tanya Vogelzang called "Reconstruction IV"
artwork by Tanya Vogelzang called "Reconstruction IV"
artwork by Tanya Vogelzang called "Reconstruction IV"
artwork by Tanya Vogelzang called "Reconstruction IV"
artwork by Tanya Vogelzang called "Reconstruction IV"
Reconstruction IV
Reconstruction IV
RECONSTRUCTION IV
RECONSTRUCTION IV
RECONSTRUCTION IV
RECONSTRUCTION IV
RECONSTRUCTION IV
Reconstruction IV

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Reconstruction IV
RECONSTRUCTION IV
RECONSTRUCTION IV
RECONSTRUCTION IV
RECONSTRUCTION IV
RECONSTRUCTION IV
Reconstruction IV
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Slide

Reconstruction IV

The scene is presented as a dioramic set-up showing an existing or possible reality.

Like the procedures at a crime scene, places are marked and material collected.

Or an exhibition is set up and we see a representation of something that is already predetermined. It is clear where what will be placed. Construction drawings are available for reference and all materials are placed in marked places.

The scene is repeatedly reconstructed and deconstructed using blueprints and scripts.

How do we look at the world and events in the world?
Is each event unique and is it examined and archived as a closed case?
Do we see the past as a sequence of events that repeat themselves and are essentially the same? Or is it fixed as a script to be played out.