Detail, Setup III – Reallocation
Bonsai series
Bonsai – State of Form
Form is not a direct result, but a gradual development.
Inspired by the philosophy of bonsai, form emerges through time, intervention and adjustment, within a constant tension between human ordering and an organic growth that never fully submits to it.
From these principles, form is understood as a temporary condition.
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Within the series, form is not seen as a fixed entity, but as something that disappears, changes or is reorganised. Within this language of form, actions and systems become visible. Here, control and limitation coexist with adaptation and assimilation.
Different states of form appear alongside one another: as an imprint, as a vessel in which structure is absorbed, and as a configuration in which elements are repeatedly reorganised. Structure is not fixed, but emerges through position and mutual relation.
Time plays an essential role. Change and transience are not represented literally, but become visible through the ways in which forms adapt, disintegrate or reassemble. In this way, the constructed remains in constant relation to the organic.
Detail, Setup III – Reallocation
Bonsai series
Bonsai – State of Form
Form is not a direct result, but a gradual development.
Inspired by the philosophy of bonsai, form emerges through time, intervention and adjustment, within a constant tension between human ordering and an organic growth that never fully submits to it.
From these principles, form is understood as a temporary condition.
-
Within the series, form is not seen as a fixed entity, but as something that disappears, changes or is reorganised. Within this language of form, actions and systems become visible. Here, control and limitation coexist with adaptation and assimilation.
Different states of form appear alongside one another: as an imprint, as a vessel in which structure is absorbed, and as a configuration in which elements are repeatedly reorganised. Structure is not fixed, but emerges through position and mutual relation.
Time plays an essential role. Change and transience are not represented literally, but become visible through the ways in which forms adapt, disintegrate or reassemble. In this way, the constructed remains in constant relation to the organic.